PREWD'S PRUNINGS

Being those portions of the Mousehold Press book 'Prewd and Prejudice' deemed too long, short, irrelevant, irregular or downright irreverent for inclusion in the original publication.

 

  MAY 1904

  May Day!  May Day!

(cry of the local fishermen)

 

1 May, Sunday

'Asking for Sugar' involved knocking on the victim's door and using the traditional form of words:  "Give us a cup of sugar".  According to Doctor Simnel Johnson, head of Ethnomusicology at Wells County Primary School, the word "please" was occasionally added, though I would dispute the likelihood of that.  The custom was so popular that records exist of it having taken place at other times of the year than Maytide.  A feature of the custom was that it was considered bad luck not to give the askers some sugar, for they would continue knocking and singing for some considerable time.

 

3 May, Tuesday

(Referring to her reputation as a wit)

Was it not I who said that Oscar Wilde only declared his genius in order to ensure having his bags searched (he always wore the Oxford variety)?  Did I not dine out for a month on my declaration that if God was saving the Prince of Wales it was difficult to see what He was saving him for?

 

8 May, Sunday

(regarding the custom of Beating The Bounders)

Sid:      It was 960 rods all the way round the parish boundary, but they went further than that, because they used to have to keep going back to the Old Goat for a drop of neck oil, or into Demon's Wood to cut fresh sticks.  It often took all day, and they were proper worn out.  Still, it was just a bit of harmless fun.

The Beating of the Bounders is probably one of the oldest of all the customs of the area.  The earliest reference I have found is in the writings of a local cleric, the Veritable Bard, in the Eighth Century.  In his 'Historie of All Thinges Interesting' he wrote:

"There hath been justice alway, though it be but the rough justice afforded the beaten bounder, whose prosecutor is the ashen bough, and whose executioner is his fellow."

Later, in the Manorial Records for 1232 there is a bill:

"To ash bous suitable for beating, 3 goats (perhaps groats?).  Four such bous, being too week for the taske, were returned."

For a brief time in the nineteenth century it became fashionable for the gentry, in particular the Squire, to attend the ceremony and begin the event by roundly kicking each bounder in person.  However, with the growth of the agricultural unions and radical ideas there came a time when it was decided that if the 'nobbs' wished to take part they should do so more fully, and three of them were unanimously voted that year's bounders.  The Squire, in particular, barely survived with his life, being unused to healthy exercise.  From then on the middle and upper classes left the festivities well alone, often pretending to be ill.  Hence the local rhyme:

"Rotation day nigher,

More headaches for the Squire."

It seems likely, then, that Mrs Prewd's man of "honour and courage" in fact spent the day hiding at the Great Hall.

 

11 May, Wednesday

Maud had not returned from the Great Hall when I retired last night, so I was forced to leave the door unlocked, as she has not taken a key.  I took the precaution of using a scheme of Uncle Wesley's in order to protect myself from passing cut-throats, brigands, and who knows what else may roam a district such as this.  I only hope that Maud, dressed in her best as she insisted on being for such an errand, does not meet any of them and get murdered.  It would be such a waste of the training I have given her.

Uncle Wesley's scheme is to place household items, such as the fire tongs, a bucket of coal, and so on, over the door in such a way as to ensure that they will fall noisily when the door is opened.  This they did during the night, and thus I knew that Maud had returned unharmed, for I recognised her groans immediately.

 

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The affair between Maud and Doyley Silver-Darling caused him some suffering, since in order to maintain the liaison he was forced to cultivate an acquaintance with Miriam Prewd, which he found most distasteful.  In a letter to a friend (Sir Alfred Friend) he wrote:

"My dear old thing,

My little bolt hole here in Norfolk where, as you know, I try to get away from the bores of London, now has it's own resident bore.  I call her the Artesian, if you get my drift, what?  What is more, and for reasons I cannot go into here on the ground of delicacy, I have to have to do with the appalling woman.  I say:  have to have to do - rather witty, don't you think?  Anyway, must give this to Herring to have the spelling checked,

Someone's

Doyley."

 

19 May, Thursday

(regarding the Wild Mounting Time, and Sid's remark that they did it when they "couldn't stand to wait any longer".)

It should be noted that the phrase "stand to wait" is not to be taken literally.  Many of the adolescents involved used in fact to sit, or lounge.  Some did this in a truculent manner for weeks before the event.  Indeed, I have to wonder whether the custom might not be of some use in bringing some of our young people nowadays out of just such a state.  Others did indeed stand, while some took up an odd crouching position, reminiscent of a sprinter in the blocks.

All in all the Trunch area of Norfolk seems to have been unusually blessed with Spring and early Summer customs.  It may simply be that more have survived here than elsewhere, or that, as Sid suggests "You had to make your own amusement in the old days".

 

21 May, Saturday

I have been accorded a great honour.  Lady Silver-Darling has asked me to a dance tomorrow.  Or, rather, she has asked me to dance tomorrow.  It seems that it is customary for the village ladies to go dancing at Whitsun, and tomorrow being Whit Sunday I have been invited to join them.  It will be an opportunity to bring a little culture into the dreary lives of the common people of this village.

Naturally I have accepted her invitation, and informed her of my little reputation for Greek dancing which she might wish to take advantage of.  In Town, and in my youth, young men used to swoon to see me dance.  Perhaps I should warn her Ladyship to have some smelling salts to hand, just in case.

 

22 May, Sunday

The dancing today was a great disappointment.  I arrived at the green, fashionably late and in my best ball gown, prepared to treat the local hoi polloi to a display of deportment and grace.  I was amazed, therefore, to discover that Lady Silver-Darling and the other dancers were dressed in plain peasant costume.  I was even more amazed to discover that most of them were, in fact, plain peasants.

"My dear", said her Ladyship when she saw me, "You must have a funny sort of maurice dancing down in London if that is the costume of your team".  I asked just what this maurice dancing might be, but her only reply was to give me a long piece of wood and a handkerchief bearing the initials 'M.K.'.  "Jolly good thing I dug a few spares out of my son's collection", she breezed, and with no further explanation led me to where the 'ladies' were lined up in two rows.  I was placed at the end of one of these rows, and was absolutely astonished when I looked across at my opposite number to find that it was Maud, who had the gross impertinence to grin at me.  Had the event not been organised under the auspices of her Ladyship I should have returned home at once.  Instead I contented myself with giving Maud a look so old fashioned as to be positively antediluvian.

Maud was holding in one hand a piece of wood similar to mine, and in the other an identically initialled handkerchief.  These must, I thought, be issued to the whole assembly, but before I could look along the line to verify the thought Lady Silver-Darling clapped her hands and turned to a decrepit old man and an equally decrepit boy, who sat to one side holding strange devices.  "Music if you please, Mr Kipper", she said, and they began enthusiastically to produce a most fearful cacophony, one by squeezing and the other by blowing.

At this point Maud's grin became almost demonic as, with a little leap, she raised her piece of wood and attempted to hit me with it.  It must have been instinct which caused me to raise my own stick at the last moment to fend off her blow.  Before I could retaliate, however, she skipped off, rather as if in a little dance.  I was beside myself with rage, as can be imagined, and may have taken a few steps myself before she renewed her attack.  This time I was ready, and parried her blows with ease.  I replied with a few sallies of my own which, to my great chagrin, she defended ably.

We continued thus for some time, with periods of assault interspersed with circling and shadowing, until, after what seemed an age, the 'music' stopped and so did all the 'ladies', who I now realised had been engaged in their own private combats.  Maud laid down her stick and turned to talk to her neighbour.  Thinking to catch her off guard I was about to raise my bit of wood again in order to finish her off, when Lady Silver-Darling came up to me.  "My dear, I had no idea you were such an adroit stick dancer.  You must teach us all some of those movements for next year".

Then, seeing the blood which trickled down my knuckles, she gasped and said that perhaps they were not ready for such advanced dancing.  The purpose of the handkerchief now became apparent as she bound my wounds with it.  "We must dance on without you, I fear", she said.  "However, you may be proud of Maud, for you have clearly trained her well, and that reflects most favourably on you.  I feel sure that you will reward her appropriately later".  I assured her, with some feeling, that I would indeed do so, and returned home much confused.

 

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Why was it the women of St Just-near-Trunch who danced the morris, while in the rest of the country it was a jealously guarded male preserve?  Sid Kipper claims that it was because "the men didn't want to look like a load of fools, doing silly things in daft costumes".  I cannot accept that explanation, however, since such things never worried the men of St Just on other occasions, or indeed the men of other villages when dancing.

A little research has revealed the fact that in 1862 the women of the village challenged the men to a dance, such dancing having been 'men only' until then.  The following report from the Trunch Trumpet of May 30th of that year tells the story:

A TERRIBLE THING

Mr Herbert Kipper yesterday called his wife a terrible thing, following a challenge dance upon the village green.  He, and the rest of the local men, were entirely outdanced by the ladies of the village, conceding defeat after only three dances, with several of the men having to 'retire hurt'.

NEVER AGAIN

"We'll never dance again" declared Mr Kipper, aged several years by the experience.  The ladies were quite imperturbed by the declaration, and Lady Silver-Darling promised to lead a team of her ladies in the dance next Whitsun.  "If the men are not man enough to keep alive the old traditions then the women will be", she told our reporter, even though she had not been asked.

TROUSERS

Mr Kipper retorted that if the women wanted to wear the trousers that was alright with him, but they would first have to mend a gaping hole in the crotch which he had been trying to get his wife to see to for weeks, but which she had been too busy practicing her dancing to do.

Lady Silver-Darling is of a certain age.

Incidentally, the musicians in 1904 were none other than the same Herbert Kipper and his grandson, Sid's grandfather, William 'Billy' Kipper.  It seems that they tried each year to play so badly that the women would be unable to dance to the music.  However, most of the locals swore that it was impossible to tell the difference between this and their normal efforts.

It seems likely that the dance Mrs Prewd describes was the old Trunch Plague Dance.  This was danced in pairs, and was basically symbolic.  The sticks, up to eight feet long, symbolised the poles which plague carriers were forced to carry in order to stop others bumping into them - they were known locally as barge poles.  The handkerchief was for placing over nose and mouth to prevent contagion from the sneezes.  The traditional dress was also rich in symbolism, consisting as it did of a hat covered in flowers (to mask the smell of the disease), crossed baldricks (representing the cross painted on the sufferer's door), and bells (each victim had to carry a bell and cry out "Unclean!  Unclean!").  In Victorian times blouses and trousers were added.

The origins of the dance itself are more obscure.  It may derive from the time when plague sufferers would process down the street together to go to the stream for water.  The banging of sticks and the jingling of bells warned others of their approach, and all decent people would hurry away to avoid meeting the.

Much the same effect can be seen today when a team of morris dancers parade down any street.

 

23 May, Whit Monday

(A slightly abridged version of this entry appears on the album 'Spineless')

This morning Maud woke me with a cup of tea.  As she stripped the consequently sodden linen from my bed she seemed quite unconcerned that she might so easily have scalded me, and chattered on in her usual inane fashion.  "Are you going to the filch today", she asked.  I assured her that I would have nothing to do with any form of larceny, be it called filching, borrowing or daylight robbery.  Indeed I was so shocked that she could think to involve me in such a thing that I forgot to punish her for her clumsiness.  I was still musing that matter as I polished the aspidistra later in the morning when the Vicar called around.

"Mrs Prewd", he said, twisting his cloth cap in his hands.  "I wonder if you would do us a favour?  We have been let down at the eleventh hour, and must find a third judge to join Her Ladyship and my good self this afternoon.  Will you do it?"

I have always wanted to be a judge.  I feel that I would be very good at sitting on high, looking down on those below me, listening to the stories of their pathetic days, and pronouncing sentences that would ensure that they never saw the light of those days again.  I am a great believer in British justice.

Of course, Rev Mullett was not offering me a chance to sit at the quarter sessions.  The judging is to be of 'The Trunch Flitch'.  Not, as Maud had said earlier, 'filch'.  This flitch, or half a pig, is given, it seems, to any couple who can demonstrate to the court that they have been married for a year and a day without argument.  I can assure them that I shall be strict but fair.  Nobody will get half a pig from me without a great deal of persuasion.  Incidentally, I must remember to ask the Vicar what happens to the other half of the pig.

This afternoon the Court met to judge the Trunch Flitch.  Lady Silver-Darling, Rev Mullett and Myself processed to the village hall, where we were installed on a rather precarious podium erected at one end.  Quite a crowd had gathered, and I was forced to use my umbrella more than once to maintain a distance from the rabble suitable for one sitting in judgement.  Many of the crowd had come straight from the New Goat Inn, which had just closed.  Their attendance may have had something to do with the fact that a bar had been set up at the far end of the hall.  This was attracting its own crowd, who were being served by the odious Ernest Spratt.

Mr Clerk, acting as Usher to the Court, stood up and called for silence.  He did this no less than seven times before order was achieved, by which time his legs must have been quite tired.  Eventually, however, he was able to make himself heard, and called for any couples who wished to be considered for the Flitch to step forward.  Three couples did so, and the trial commenced.

The first couple, Cyril and Coral Cockle, did not detain us long.  When Lady Silver-Darling asked them how long they had been married they could not agree on their reply.  This led to a falling out between them, and eventually they had to be dragged physically from the hall, to conclude their fight outside.  Clearly this disqualified them from the competition, as they were not available for further questions.

The second couple lasted a little longer.  Wally and Wendy Whiting were clearly out to impress the Court.  They billed and cooed like a pair of turtle doves, whatever they may be.  It was quite repulsive.  I decided at once that they must not win, although Rev Mullett and her Ladyship seemed quite taken by them, and by any fair means they seemed to qualify.  What, I wondered, would uncle Wesley have done.  The answer came at once.  He would have used foul means.  With this in mind I turned to the Whitings.

"I put it to you that you are lying.  I believe that you have in fact had one argument after another all year.  Do you agree?"

"Oh no", they cried, as one; "We disagree absolutely".

This was just the answer I had hoped for.  Now was the time to deliver the coup de grace.  Fixing them with my eye I said "You have come before this court and sworn upon a solemn oath that you have not disagreed all year.  Now you have the temerity to tell us that not only do you disagree, but that you disagree absolutely".  I banged my umbrella on the floor for emphasis, and concluded "Fined one hundred pounds".  I was a little disappointed when Mr Clerk pointed out that we had no power to impose fines, but it certainly put an end to their case.

Now the third couple stepped forward, and I knew at once that here was a real test for my mettle.  Before us stood Lady Silver-Darling's own daughter, Cynthia, and her husband, Ffreddy Ffooks-Ffordyce.  Now the Ffooks-Ffordyces are noted for their total failure to hold any opinions whatsoever, and Ffreddy is known in the family as the indecisive one.  The more intelligent reader will realise at once that if a man has no opinions then he will be quite unable to hold an argument.  If, in addition, his mother-in-law is chairman of the judges, then he may be held to have a considerable advantage in a contest of this nature.  I girded my metaphorical loins in preparation for battle, but I need not have bothered.  As soon as Her Ladyship saw who the third couple were she squared up and rounded on them at once.

"Cynthia", she said, in a voice which could have cut diamond; "Take that wet fish away before he begins to smell.  Your father and I opposed your marriage from the start, though I don't see what it's got to do with him.  I will certainly not have you coming here and showing up the family in front of all these common people.  Case dismissed, on the grounds of ...."  She ground to a halt as she searched for some grounds.  Her eye fell upon the vicar, and she seemed to gain inspiration.  "Disqualified on the grounds of insanity.  Case dismissed".

So our deliberations were ended, and we had successfully defended the flitch.  I returned home feeling that I had finally contributed something really worthwhile to village life.

 

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Mrs Prewd need not have worried about that other half a pig.  The Trunch Flitch, which has been offered on and off since the thirteenth century, has never actually been awarded.  I asked Sid Kipper about the matter, but he was much more interested in the question of judges in general:

Now my uncle George is the one you ought to ask about judges.  He's met a lot of them at one time or the other, in the way of business.  Their business, that is.  As a matter of fact he's still suffering from the last judge he met.  He wrote a song about it, called 'You Know That Was The Last Thing On my Mind, Your Honour'.  That did him no good, either.

Mind you, judges today aren't what they used to be.  In them days they used to have what the called the 'No Quarter Sessions'.  They used to send Judge Post up from London to North Walsham, and he used to hear all the cases that had been saved up for him.  I say he used to hear the cases, but he weren't really listening.  That was what they called deaf justice.  He waited while both sides argued back and forth, then when they'd stopped talking he found them all guilty.  He was very even handed.  He always gave everyone 30 years.  Of course most of the jury got out on parole fairly quick, but one persecution lawyer served the full term, because he was so badly behaved in prison.

Mind you I could see old Post's point the other year when I was a celebrity judge for the Trunch May Queen competition.  None of them was innocent, I can tell you!

The Trial of the Flitch was not always as orderly as it was in the Edwardian era.  Over the centuries it had been banned many times following the disorder and riots which often attended it.  In his book on the subject, 'Bringing home the Bacon', Doctor C.O.D. Roe questions whether or not the flitch was, on balance, a good thing:

In the several centuries of its existence the Trunch Flitch has claimed at least fifty-seven lives, not including the dancing bear which perished in the peculiar happenings of 1772.  It has also led to innumerable divorces.  It might then be argued that as a symbol of peace and harmony it has not been a great success.  Some scholars have tried to balance this against the hundreds of pigs which have not been halved as a consequence, but I, for one, find the argument unconvincing.

One reason why the ceremony was continually being revived was its popularity with the Lords of the Manor.  It allowed them to demonstrate their potential generosity without having to actually give anything away.  As the good Doctor points out:

Half a pig is not something to be sneezed at, and today this is truer than ever, modern health regulations being what they are.  The Lord of the Manor was able to argue that he would be exceedingly generous if only someone could convince him that they deserved it.  He would then refuse to allow himself to be convinced.

All, that is, excepting the 17th Lord silver-Darling, 'Geoffrey the Generous'.  He awarded the flitch every year of his reign.  He awarded it, however, to every couple that entered, so his good intentions were always confounded by Rule 4, paragraph 6, which states that "In the event of more than one couple satisfying the judges, then none shall receive the prize".  Thus Geoffrey was always confounded by the writer of the rules, his ancestor 'Lionel the Loophole'.

In conclusion I should mention that at the most recent sitting of the court George Kipper came very close to winning the flitch for the first time in history.  In the end he failed only on the technicality that he had not been in residence in the parish all year, as he had been continuing his enforced, and prolonged, stay in the Isle of Wight, and his wife had been unable to visit him.

 

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24 May, Tuesday

(regarding the recent re-occupation of the old school house)

A social worker from Islington has taken early retirement and turned part of the building into a pottery.  He sells his wares through such glossy magazines as Cromer Life, under the slogan 'Traditional Country Wares at Modern City Prices'.

Sid:      We don't want a whole lot of people coming in here and spoiling the place with their second homes.  What's wrong with their first homes that they have to come here and ruin our village?  They should stay in their own villages.  That potty bloke should go back to Islington, wherever that is.

Mind you, he's not the only one.  There's loads of them moving in round here.  One farmer over Knapton way got thousands off some rich fool from London the other week for an old barn that he's done up.  He must think a lot of his cows, that's all I can say, buying them a place like that.

The thing is, they spoil everything.  Next thing you know they'll want the street light turned on, and that'll put an end to the poaching.  Then they'll want to get on the Parish Council, even though it's not their turn.  And then they'll start going on about how we ought to have community events.  Well, we already have community events.  It's just that we don't invite those people because they aren't part of the community, are they?  Let them all go back home, with their flash cars and their compacted discs.